6 Apr 2014

Passepartout: A decission for quality

by Astrid | 0

It is very important to use acid free paper and materials for the mounting. Otherwise the paper might embrittle as a result from acid decay within the paper and might contaminate the pastel painting as well.

I have found a company who has a lot of knowledge in these fields and whose slogan is: »Preserving cultural assets for the next generation.«

Furthermore they provide excellent craft when it comes to cutting the edges.

About me

I am fascinated by the light conditions of the countryside, particularly in Northern Germany. I grew up in Hamburg so I am used to the rugged countryside and sometimes bleak weather and light conditions. The light in northern country landscapes is very special and it is indescribably beautiful. It touches my soul and opens up my heart when I visit the coast and feel the elemental force of the sea.
As opposed to my seascapes, I am very interested in the closely cropped views of the harbor and its endless diversity of shapes and colors.

With pastel painting l have found the ideal medium to artistically and creatively transform these special conditions of illumination. I love to spread pigment on paper without anything else in between.
Pastel paintings come alive when you put different layers of colour on the canvas. This is a great artistic stimulus for me. Which combination of colour pigments can be used to achieve precisely the effect of light and shade that I want? During the artistic process, layers of colour are continually built up and removed until the light situation has been captured and the picture can unfold its unique illuminating power.